I wasn’t brilliant at physics at secondary school. I managed in class, though, with the help of my peers which you could call social learning. Pre-internet, that social network was confined to the real world – and occasional phone calls. Homework wasn’t generally a topic of conversation but I don’t think I had anything like the 2-3 hours school children can have today. On one occasion, my homework included a question about light refraction and where a fish would appear to be to an observer from the surface as opposed to where it actually was. I couldn’t answer, so I just wrote “Don’t know” and handed it in.
Nicola Prentis
#elthack: 10 Microsoft Word hacks all ELT writers and editors need
You need more time to commission or write the next ELT blockbuster. Or just to share pictures of your lunch on Facebook. But where to carve out time from a hectic day? Microsoft Word. Documents start off in Word for most writers, editors and, sometimes, tech-forward start up founders. Here are some efficiency tips even … Read more
Exploring the British Council MOOC
Either ELTjam and its community of commenters can see the future, or the British Council closely followed this post from January 2013 when they created their 6-week course Exploring English Language and Culture in partnership with FutureLearn.
There’s one critical difference, though. ELTjam thought an ELT MOOC probably wouldn’t work. The British Council made sure that it did. Although, as we’ll see, that does depend on your definition of ‘work’.
Am I a Content Creator or a Writer?
My friend’s dad gave her some advice once that I took to heart.
What your job is called matters more than what your job is.
I always agreed so what I’m about to say seems like a contradiction.
I don’t see the problem with being called, or hired as, a Content Creator if that’s what the job requires.
Adaptive Learning: It’s US who need to adapt
We don’t know if Adaptive Learning will work for students. We use methods that don’t work for everyone already.
Loyalty vs. Royalties: Is There A Place For Royalties In Agile ELT Publishing?
Are writers’ attitudes to royalties realistic? Or have they simply got used to a system that is actually very strange?